
Freelancers Win In Landmark
Supreme Court Copyright Case
On June 25, the Supreme Court issued a decision in New York Times
Co., Inc. v. Tasini, 533
U. S. ___ (2001).
The decision is considered a landmark one in the area of copyright
law, and is especially important for the publishing industry,
including freelance writers, as well as publishers of magazines, Web
sites, newsletters (both on- and offline) and other printed materials
containing articles submitted by freelance writers. It is also has
additional significance because it clarifies the circumstances under
which work submitted by freelance writers for a specific publication
can later be re-published, in electronic format or otherwise.
In Tasini, several freelance authors submitted writings for
publication in various New York Times publications. The authors’
submissions did not include consent to placement of the articles in an
electronic database. Nevertheless, the New York Times sold the
articles, without the articles' authors' permission, to third party
companies that uploaded the articles to various searchable Internet
databases. Using a search engine, the articles could be found when
users employed key words to find articles on particular subject
matters. Once a particular article was found, it appeared alone and
was not intact with the rest of the publication in which it originally
appeared. The freelance writers of those articles sued the New York
Times for copyright infringement, and the Supreme Court found in favor
of the writers.
In its decision, the Court relied heavily on section 201(c) of the
Copyright Act. That section states:
Copyright in each separate contribution to a collective work
is distinct from copyright in the collective work as a whole,
and vests initially in the author of the contribution. In the
absence of an express transfer of the copyright or of any
rights under it, the owner of copyright in the collective
work is presumed to have acquired only the privilege of
reproducing and distributing the contribution as part of
that particular collective work, any revision of that
collective
work, and any later collective work in the same series.
The Court confirmed that, absent an agreement to the contrary, a
freelance writer who submits an article for inclusion in a publication
does not transfer copyright rights in that article to the publisher.
Instead, the publisher has rights to reproduce and distribute the
article only as part of the entire intact collective work (the entire
magazine), or a revision of the collective work (again, the entire
intact publication in which the article originally appeared). The
publisher does not have the right to give or sell the individual
article to another publication for republication, nor can it
reassemble the article into a separate new format without the author's
permission. The Court found that, not only was the New York Times
liable for infringement, but so were the third parties to which it
sold the articles without the authors' permission.
Since the decision, the New York Times has indicated an intent to lobby
Congress to pass a law more favorable to the publishing industry,
which would have retroactive effect, thus foreclosing any of the Tasini
plaintiffs from receiving damages, and preventing freelance writers
from benefiting from the Tasini decision in the future.
Also as expected, digital content publishers are also not happy with Tasini,
and have begun a lobbying effort of their own. For example, the
Software & Industry Information Association has initiated a
lobbying effort to encourage Congressional action that would have the
effect of reversing overturning Tasini.
Here are a few tips for publishers and writers in light of the Supreme
Court’s decision in Tasini:
1.
Publishers should consider registering the copyright for their
periodicals with the US Copyright Office.
2.
Writers should consider registering the copyright for particular articles
with the US Copyright Office, especially after they have published a
few pieces in different publications. The price to do this is about
$30 per article, so finances are definitely a consideration, along
with the perceived value of the article itself, and the circulation of
the publication in which it will appear.
3.
Both writers and publishers should consider what options exist in terms
of negotiating the rights to particular pieces of work. While Tasini
is clear on what happens if there is no agreement, it does not mean
that the writer and publisher cannot hammer out an agreement of their
own. Is the writer transferring all rights in the article to the
publisher? Is the writer transferring only one-time publication rights
to the publisher? Can the publisher sell the article to a third party?
If so, will the writer receive a royalty, and if so, how much? Can the
publisher control how and whether the individual article appears in
another publication at a later date? These are the types of things
both parties would need to consider in reaching an agreement.
4.
As a writer, even if you did not transfer copyright rights in
an article to a publisher, as a matter of courtesy, if you give a
second publisher permission to reprint your article, or if you are
going to reprint it yourself (either on your Web site or in newsletter
or other printed form), it’s a good idea to let the original
publisher know and offer to include a credit to the original
publication. Sometimes, you have no control over what a second
publisher of your article will print in terms of prior publications
... the second publisher may not want to reprint the article while
also giving credit to the first publisher, so keep in mind that your
good intentions may not be well received with a second publisher.
Every situation will be different.
Whether
you are a writer or
a publisher, if you have any questions about Tasini, or
how you can negotiate a contract to protect your copyright rights,
both now and into the future, please do not hesitate to contact us at
(202) 457-0100 or email johnson@internet-law-firm.com.
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